Florence

Sometimes I wake up, and the morning lies
as flat as fresco, like Cimabue's
panels, or stained glass in the Uffizi.
She takes my face between her hands and tries
to model me in the way that her eyes
look at the world. What is it she can see
that no one's ever seen before in me?
A figure? Something she can recognize?
A little like Giotto, when he wrapped
his rufous sunlight half around the face
of the Madonna, lovingly and apt,
so not to render her within a place
where (like me) she might be forever trapped,
but letting her step forward into space.

Structure

14 lines · 1 stanza