Brief
Not choosing is a fearful way.
My fingers agree; they touch.
My fingers touch the table
and once I chose the table
and the chair; once I caressed the fabric
of the chair and was excited
by the feel of the cloth. The lamp?
I picked it out to compliment the dusk.
I saw it: old and therefore holy. I saw it was
Chinese: intaglio of lotus at the base.
The lamp was green
like the ocean somewhere south of here.
I chose this northern plot.
I couldn't leave the house
and the light inside, and the stone
foundation: granite apparent now
that the plantings are all gone. I paid a man
to dig and haul them, poor dark yews,
somebody else's choice, and I'm not sorry.
I'm thinking of men and women comparing
this one's shoulders with that one's
silky belly. I imagine what they think:
I never choose; I'm never lonely.
They are only wrong and coughing
in their beds like owls, like poets,
the great, ecstatic crazies.
I've chosen to be harsh.
Now that you've left you know this;
now you unbutton your shirt
in rooms south of here.
There was no elegance left and I was shouting.
I stood near the washing machine and dryer.
Catbirds fought in the hemlock.
I wanted liberty imbedded in desire, but
a girl pounding clothes on rocks
was the one you dreamed swaying
like a swimming fish entering your net
suspended from the riverbank. Such pliancy
and quiet. It was sweet, the silence. Over and over,
I woke us up. I was righteous; I woke us up.
Structure
40 lines · 4 stanzas