Isotropic

After the launching of the Hubble Space Telescope,
April 25, 1990
Looked at in different directions,
the universe shows no significant
difference in its general appearance-
no blue shifts, nothing coming our way,
no change imminent; everything's red-shifted
and rotating outward, bright arm over arm
in the same expanding sea... .
It's as if we've been standing
at the bottom of a pool, looking up
at the rippling colors and flight of birds,
the way we've had to chart and ponder
heavenly bodies beaming down to us
through stardust and patinas of our air.
Now a new observatory runs laps beyond
our atmosphere, copestone on that breathless ledge
of black-its floating beryllium eye
fixed on the un-edited ticker tape of light,
those naked lines exponentially deconstructing
in their own nonstop play back of the past,
their medium the only message
about a point in time beyond any point
in time and that undoing that set things
spinning on the logarithm of the dark.
And though the new thinking sees it all
without the chaotic and misleading sprawl
of motes that's underwritten our reasoning
for so long and saved us from considering
a serious connection to design, some cataract
across the lens, it appears, will keep
this finally from us for yet a little while.
But even when the unfiltered news comes through,
is it likely we'll undergo a sea change,
so to speak, and find a bright new continent
at the heart of it instead of the one
we've been sailing for all along?
When I look up to the plaster and ceiling beams,
water-damaged from another season's rains,
I see amber ellipses and tea-colored swirls,
which, drifting toward the window and the wall,
look like dried roses, or equally like nebulae
with their dense palm-print and smudge of suns.
Yet birds still slipstream on their magnetic,
star-gazed routes, and still the prevailing winds
pause a little and allow that cider scent of autumn
to loiter on the afternoon-the high western sky
reading left to right as always, and the blue
tree dahlias corresponding-
then the horizon
spills out like a glass of light and dust, the violet
overtones finely invisible as our breath
as we sit smiling among the fallen leaves,
collars turned up around our necks as we stare
inefficiently toward our old constabulary of stars,
that same light we've seen all along,
light which will one day rise
through our shoulder blades and arms
and set us blindly off, more white and weightless
than the air we leave behind.

Structure

60 lines · 9 stanzas