Nine of Clubs, Cleveland, Ohio

Thursday night: Progressive
Friday and Saturday nights: Eurostyle
Now I know there are bored, beautiful people everywhere.
The boys on their long stems of bones
waft and mingle, sipping Campari,
saying next to nothing to the girls.
Ecstasy is draining. So is awe, anger, dread, tenderness
when frustrated by convention-any number of emotions
we will not see here tonight
though we stand equidistant from dancefloor
and Lake Erie, gone back to solution this late March
the way a bruise leaves a body.
All night the ice loosens and grinds toward Canada.
We feel it more than hear,
and ore boats steer darkly
into the issuance of their lights, their names, as we did
not one hour ago, supplicate in the doorway's
jittery neon. We paid eight dollars to enter
what is spare, cool, clean.
We left behind fish stink and diesel fuel.
But what Europe is this?
If frozen, then cut away
for the purpose of technical diagrams, these dancers
would give no clues. Their faces like the music
are whiter than pain or distraction;
their arms, stopped,
dovetail back as if
beneath black turtlenecks a cavity waited, red and humming,
for larval wings to fold twice, then reenter.
I think this is the end of immigration.
I think if a live pig were thrown
skating and shitting onto the gorgeous dancefloor,
no one would stop drinking or crouch down,
knife between his teeth,
and stroking the smooth parquet
croon hunger, hunger, hunger
in his blood's first language.
The suburbs have given back their angels.
Refineries rise then sink like wedding cakes
into the filthy river, we've seen it often enough,
and it is wrong-headed or lachrymose
to wish the old world back as well,
with its babushkas and lamentations, prayer cloth,
boats fashioned from garlic cloves
by which we washed up on these shores. And the scythe
whistling at its uppermost arc-
"Di Provenza il mare, il suol."
The shining field,
all the ugly babies in the architecture
puffing their thousand-year cheeks at us: I think
it wasn't ours, the past, and now
will never be, who left for better footing,
this purchase on brighter, quicker ground.
No tourist is ever innocent. Tonight
the music churns from hip to hip. The strobe light
won't make up its mind, but flickering hi-speed
erases half of all we see.
It's almost fun, this dancing. And later
if the foreheads of the warehouses loom down
like character actors whose names
we're forever forgetting, say Ma Joad or the Little Rascals'
truant officer, that's okay. We're lucky:
our car is right where we left it.
We're tired, sure. A little drunk. The windshield weeps
in a circle of streetlamp light and fog,
but we can drive all night if we want, lose the Lake
lolling between these buildings like a coated tongue,
head south to Akron or Columbus or Xenia,
anywhere people routinely rise
from the absence of themselves and begin the day new.
As we will here tonight in the tiny bathroom
crowded with our tribe and generation,
and lovely, unhurried, bow
to mirrors, the glimpse of smoky, downturned faces-
you, me, in ritual greeting to our neatly razored lines.

Structure

75 lines · 24 stanzas