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The Right Cross

JUNE 1988
PHILIP LEVINE
THE RIGHT CROSS
The sun rising over the mountains
found me awake, found an entire valley
of sleepers awake, dreaming of a few hours
more of sleep. Though the Great Central Valley
is home for the homeless, the fruit pickers
of creation, for runaway housewives
bored by their husbands, and bored husbands,
the rising sun does not dip back behind
the Sierras until we're ready. The Valley sun
just comes on. We rise, drop our faces
in cold water, and face the prospects
of a day like the last one from which we
have not recovered. All this month I've
gone in search of the right cross, the punch
which had I mastered it forty years ago
might have saved me from the worst. The heavy bag
still hangs from the rafters of the garage,
turning in no wind, where my youngest son
left it when he went off ten years ago
abandoning his childish pursuits to me.
After tea, dry toast, and some toe-touching,
I'm ready to work. I pull on the salty
bag gloves, bow my head, dip one shoulder
into the great sullen weight, and begin
with a series of quick jabs. I'm up
on my toes, moving clockwise, grunting
as the blows crumple, the air going out
and coming back in little hot benedictions.
I'm remembering Nate Coleman barking
all those years ago, "Straight from the shoulder,
Levine," as though describing his own nature.
The gentlest man I ever knew, perfect
with his fists, our master and mentor,
who fought only for the love of it,
living secretly by day in suit and tie,
vending copper cookware from the back seat
of his black Plymouth. The dust rises
from the sour bag, and I feel how fragile
my left wrist has become, how meek the bones
of my shoulders as the shocks come home,
the bag barely moving. "Let it go!"
Nate would call, urging the right hand out
against the big light heavies, Marvin
with his sudden feints and blunt Becker,
his face grim and closed behind cocked fists.
Later, the gym gone silent in the half-dark,
Nate would stand beside me, left hand
on my shoulder, and take my right wrist
loosely in his right hand, and push it out
toward an imagined foe, his right knee
pressed behind my right knee until my leg
came forward. I could feel his words
. - "like this"-falling softly on my cheek
and smell the milky sweetness of his breath
- "you just let it go"-, the dark lashes
of his mysterious green eyes unmoving.
The bag is going now, swinging easily
with the force of jabs and hooks. The garage
moans as though this dance at its center
threatened to bring it down. I throw a right,
another, and another before I take my rest
in the cleared space amid the detritus
of five lives: boxes of unanswered letters,
school papers, report cards, scattered parts
of lawn mowers and motorcycles gone to ground.
The sky is coming through the mismatched boards
of the roof, pure blue and distant, the day
rising from the oily cement of the floor
as again I circle the heavy bag throwing out
more punches until I can't. If my sons
were here they'd cheer me on, and l'd
keep going into the impossible heat
and before I quit I might throw, just once,
for the first time, the perfect right cross.
They say it's magic. When it lands
you feel the force of your whole body,
even the deeper organs, the dark fluids
that go untapped for decades, the tiny
pale microbes haunting the bone marrow,
the intricate patterns that devised
the bones of the feet, you feel them
finally coming together like so many
atoms of salt and water as they form
an ocean or a tear, for just an instant
before the hand comes back under the chin
in its ordinary defensive posture.
There are boys and grown men who dream
of the squared circle into which the light
falls evenly as they move without effort
hour after hour, breathing easily, oiled
with their own sweat, fighting for nothing
except the beauty of their own balance,
the precision of each punch. I never did.
I hated to fight. I saw each blow
in a sequence of events leading
finally to a winner and a loser, and I
was the loser, crushed in body and spirit.
Yet I fought as boys were told to do,
and won and lost as men must. That's over.
Six months from my sixtieth year, doused
in my own juices, I call it quits
for the day, having earned the rituals-
the long bath, the shave, the laundered clothes,
the afternoon muse as the little clots
of stiffness break up and travel down
the channels of the blood. After dinner
and before sleep, I walk behind the garage
among grape vines and swelling tomatoes
to where the morning glories close down
in the rising darkness and the cosmos
flare their brilliant whites a last time
before the moon comes out. From under
the orange trees the click and chuckle
of quail; the tiny chicks dart out
for a last look and scurry back again
before the earth goes gray. A dove moans,
another answers from a distant yard as though
they called each other home, called each of us
back to our beds for the day's last work.

Structure

122 lines · 6 stanzas