Pentecost
Inside the cage, a cardtable with
a broken leg, an ancient Olivetti
and the bars etching stripes-
diagonal across the face of the man
who crouches there, a shell case
for a stool, talking to himself
in an English of his own design.
Writing in a spiral notebook, the kind
a child would take to school,
he tugs his beard's gray stubble.
This is Pisa, Nineteen Forty-five.
Beyond the prison compound's barbed
wire mesh, twenty yards away, my father
in his corporal's stripes sips sick-
sweet grappa at a cafe with the men
of his platoon, the latticework canopy
intricately shadowing his face
as if he wore a beekeeper's veil.
He must wait ten days until a DC-3
can ferry him to the Azores;
then, a troop ship to Havana.
But until then he must help to guard
a compound for Italian prisoners
and spies, pacing the rows of tents
and cages every night from eight
until two. Some nights he smuggles
cigarettes and chocolates to the old man
who claims that he's American himself,
who speaks in whispers from within
the bars, in the corny mannered slang
of a movie cowboy. The old man
doesn't sleep, and sometimes all night
mumbles to himself as he rocks
on his cot, a blanket draped around
his shoulders. Another glass of grappa
and the afternoon appears to lift
its veil, awash in the white
piazza light. My father's friends
have left the table, and he takes out
pencil and paper to write down
the details of this light, its shimmer
on the whitewashed houses-a brilliance,
he thinks, in which the dead arise
to be born anew, and infinitely brighter
than the light he woke to
each morning through his bandages
that long month in Palermo, the Irish
nurse's cool hand on his shoulder.
He'll stare like this all afternoon.
And who could he write this to?
What is it he could say? He drops
his lire on the checkered tablecloth,
drains the glass, and blames
the trance of grappa for
the oddness of his thoughts-
how he felt, for a moment,
he'd had the power to speak in Greek,
Italian and Chinese, his thoughts
churning forth in swirling cadences,
like oars striking brightly
against a sea so vivid
he's blinded, and must turn away.
Structure
62 lines · 2 stanzas