White Body, Green Moss

I
South of the river,
on the flood plain
I walk each evening,
cranes lope through saw-grass
and blunt-headed fish
rise in murky pools,
the late sun spreads
a thin film of light
across the calming waters
and olive trees gather
the thousand swallows
for the long flight.
There, beneath those trees,
the speaking began:
a voice without location
filled my bones,
yet seemed to rise
from the marrow.
It was a sound so deep
it set bushes ablaze;
mountains lifted and swirled
and faces loomed
until I knew that voice
was the voice of God.
II
My son was sleeping; the rough white cloth
riddled with shadows as the sun struck
through our only window. I have only known
this impossible world-our burnished sun
rising from its lake of color, the thick wind
that blows all night, the howling wolves
and the deep pond of a woman's flesh.
He was sleeping; I woke him.
His long lashes fluttered like my hands
as I lifted him from the bed,
the bed of burning straw. I thought:
the beast inhabits my eyes, lurks
in the dark between words, and I lifted him,
just six years old, and held him
as he looked out from his dream.
I stood him on the floor; he looked at his feet.
I laced his sandals, and when he spoke
I knew the deed would be done.
TIL
While vultures carved their spirals
into winds lifted by the sun, its word for heat
rising visibly from the sand, we walked.
Near dusk, we reached the mountains
and he dropped onto the cool moss-his white body
wrapped in white on the green moss-. I turned away,
prayed for strength, unwrapped the knife.
My son slept, his hand draped over his face,
his legs warm and twitching. A fly
hovered over his bare shoulder;
olive leaves shivered with wind, were still.
I raised the knife, and as I did, I looked up
and saw, flying over the single line of black mountains,
two figures, and I heard them call: two violent syllables.
Then they were above us, the two of us-
father and son, and they called again, and again,
the two notes I took for words.
Today,
walking south of the river, | remembered those figures-
wide, dusky wings flapping, necks of carved ivory-
and I knew that I had seen the birth of a new language,
new hope for this singular world, a new word for dust,
or sun, or the thick wind that rages all night.
I placed
the knife on the white cloth, wrapping it slowly.
I did not wake my son; I did not speak.
I no longer hear voices. Often
I stand beneath the olive trees
and watch the sun plunge into the desert,
and I remember an affliction that seemed an ecstasy,
the knife in my hand uplifted, the white body,
green moss. Even the wind
stilled for my perfect witness.

Structure

78 lines · 7 stanzas