An American Morning
Over coffee we study the morning's
form and structure but it flows
away through our fingers like
so many dreams, so many
mornings turned shapeless,
funneled by way of noon
into afternoon and finally
lost in evening's underbrush.
No hourglass prevents this,
no effort of will keeps the day
in shape. It is the river without
banks we're asked to navigate,
the endless cave we're told to
explore.
We long for London mornings:
milk on the doorstep, papers by
seven, mail by eight-fifteen,
the reassurance of egg and egg cup,
the foggy assertions of tea-
that thread of order leading to lunch
by which time the day is firmly
in hand, not dwindling like this
one, not cringing across the open
fields of the hours. There we managed
most evenings and felt we owned
the nights.
Here, the nights get out
of hand, to say nothing of the evenings.
Here we move through the day
taking cover, dodging from shadow
to shadow, and feel lucky if we reach
the five o'clock bunker. Even then
VERN RUTSALA
it's all logistics and planning,
all maps and strategies for the next
day's effort. We're never sure
what tack to take and our
dreams don't help a bit, filled with
travel and war and sirens keening wordless
dirges toward another shapeless morning.
COMING HOME
We thought we knew these
sidewalk cracks by heart
but even they have altered
in our absence, branching out
on their own. The yard too
has a new identity-some
plants dead, others new.
Inside, the knives and forks
don't seem the same and feel
wrong in our hands. The design
is more extreme than we
remember and there has been
some subtle change in scale
too. The touch of familiar
things is strange, surfaces
feel foreign as if we had
brought back some art
of foreignness. Even the old
companions-tables and chairs,
the light through a window-
seem alien. We are back
but not back all the way.
Something odd has lodged
in our senses, some foreign
Structure
65 lines · 8 stanzas