("Right as rain you are...")

JULY 1983
a figure of fun, as someone outnumbered so often
is, and all because you bring me, and you're right,
my irresistable self, hand outstretched, in the mirror.
e
Four months of his life a man spends shaving,
a third of it asleep or pacing his room in want
of the civil wilderness of sleep, like a zoo lion
surveying the domain of its metabolism
and what slice of his life does he pass
mincing shallots, who loves cooking?
If time is money, it's inherited wealth,
a lagniappe, a relic worn smooth and then
worn to nothing by pilgrims' kisses,
and there's no right way to keep or spend it.
e
Too right, my son accuses me when I correct
his grammar, but then, like an anaconda
digesting a piglet and stunned by how much blood
he needs to get this one thing done, he pales,
and then he's gone, slipped totally inside
himself, someplace I can't get from here
or anywhere, and now I need to tease him out
from his torpid sulk, or to wait until he slithers
out on his own. Come to think of it, that's how
I got here, eager, willful, approximate.
°
On the way to the rink one fog- and sleep-thick
morning we got the word fuck spat at us,
WILLIAM MATTHEWS
my sister fluffed for figure skating and I in pads
for hockey. The slash of casual violence in it
befuddled me, and when I asked my parents
I got a long, strained lecture on married love.
Have I remembered this right? The past is lost
to memory. Under the Zamboni's slathering tongue
the ice is opaque and thick. Family life is easy.
You just push off into heartbreak and go on your nerve.
e
Poems from WRONG
There's some wrong that can't be salved,
something irreversible besides aging.
\
This salt, like a light in the wound it rankles . . .
It seems the wound might exist to uncover
the salt, the anger, the petulance we hoard
cell by cell, treasure the body can bury.
As J. Paul Getty knew, the meek will
inherit the earth, but not the mineral rights.
And what's our love for the future but greed,
who can't let go the unbearable past?
°
By itself wrong spreads nearly five pages
in the OED, and meant in its ancestral forms
curved, bent, the rib of a ship-neither
straight nor true but apt for its work.
The heart's full cargo is so immense it's not
hard to feel the weight of the word
shift, and we might as well admit it's easy

Structure

59 lines · 25 stanzas