(V, 2:"You almost say to me...")
MAX WICKERT
From THE PAT SONNETS
I, 7
When in my kitchen mood I go to cook,
I brook no interference from your hands.
A word distracts, a mere inquiring look
Can trip the steps each recipe demands.
You've learned to let me fuss alone, you set
The table, entertain the guests, because
You trust in me for banquets that will whet
All waiting tongues for pleasure and applause.
Not so our life: Four eyes read each direction,
Four hands must stir the broth we drink tomorrow,
Two hearts season for frying pan or fire
The meal of habit with the salt of sorrow,
The sweet of love, the bitter of desire-
Pot-luck of joy or perilous confection.
IV, 8
There is a darkness darker than each night
In which our solace suffers an eclipse,
A silence much more silent than each slight
Silence of love on our unkissing lips.
There is a word behind each word we say
To qualify our love, a thunderous noise
Quite overwhelming noises on our way
Which mark the pathlessness our path destroys.
The greater darkness makes the less be seen.
The final silence lets our lips declare
What word behind our words it is we mean
MAX WICKERT
In each endearment we obscurely dare.
There lies our path, which both our loves must mark,
Toward the dark behind the darker dark.
vı
Each time we meet I find you a sensation,
I feel I sense your thought, can almost tell
The rightness in my memory's conflation
Of recent pleasure with my ancient hell.
An ancient pain is buried in your sex,
A recent heaven in your eyes that flame
Glances so lucid they almost perplex.
I call your nature when I call your name.
You come to me with unsuspected treasure:
Your life is courage though your heart is weak.
I come to you with unforeseen designs:
An empty head, strong with the need to seck
Faith in a look. I speak
Of trust in blankest signs.
The sense you give is not your final measure,
The name I call you always almost right,
But never quite.
V, 2
You almost say to me: "This is the end.
I have no heart to give. Please don't exchange
Your heart for something lost. Please don't pretend
I'm saying what I'm saying for effect.
Love is not love while I feel something strange
When I say love. I've used the word before.
I've lost my heart, and I almost suspect
That to say love means merely to say more.
More what? More of the fateful first temptation
To tell the lie that everyone believes-
That every heart is lost?
This is the end, and what the end achieves
Is what both of us know to both our cost:
We are both tossed
Between our guilt and our realization
That our paths have crossed."
I've lost my heart to you. I hear you and
I almost understand.
v3
This is my rescue fantasy: You're not
An ordinary girl who loves me well
As only you can, but a whore, a pot
Of fool's gold, a disease, an evil spell.
And you, to all of this, confess, and I,
Cock of compassion that I am, forgive,
And find forgiveness easy, though you lie
In your confession. I say grandly, "Live!"
You seem to die.
Is this an act? My fantasy continues:
Your baby dies because of your neglect.
I rescue you from justice, take the blame.
Your ordinary strength is in my sinews;
Your hate, my hate; your shame, my only shame.
If you die-I reflect-
You live in that I came
To give you love and was not even sure
Whether love was a poison or a cure.
V, 10
A common story: Once upon a time
The hero and the heroine awoke
In fading starlight to a distant chime.
You are apart! it clanged, and with each stroke
MAX WICKERT
The distance grew from her to him and from
The bell to both. He rose, and she, before
The sun rose while the bell tolled Find the door!
Bravely they ran. Faintly the bell chimed Come!
And was the door where he heard her voice or
Was it where she heard his? or was it more
A matter of the chime's dim source? They ran
In zig-zags as their afternoon began.
The bell tolled Soon! and yet more distance yawned.
Night fell. The bell tolled Now! The next day dawned.
Heroic woman and heroic man
Were lost forever in a night beyond
All distance. You and I did not respond
When the next teasing bell began
Its common story: Once upon a time
There was no ever after, and you two
Were fated by my melancholy chime
To reach the door, but not to make it through.
Structure
113 lines · 24 stanzas