Shadow Shadow

I, too, once spouted yards of poetry, and rushed
the sunrise into my sister's giggle, slamming the door
of one chamber into another until my father, rabbi
of the only synagogue in the Berkshires, collared us
by the scruff and swore
there would be no honey cake if we
woke mother (two of her could have sailed
to America in Emily's housedress) the smell of schnappes
hovering in his beard's underbrush. I
never hung back at the top of the stairwell, drawing
pictures in my head of anyone's
parlor shenanigans, especially
my father's, who firmly said never pisch,
pardon his Yiddish, in the pot you eat from, but like her
my intensity gathered in my belly,
the hearth, the staircase
spiralling to the cupola, where I cried and choked
on father's refusal to bless
my first marriage: You remember that northwest
window in our room? Where Emily
lowered ginger
and almond cookies to the little ones squinting
up at the sun and reaching for the shadow
that became a bride lowering herself on old shoestrings
braided for strength and magic
out of that white whale of a house, no velvet
neckpiece to set off the mixture of fear
and desire glazing my wide, brown irises-not yet
puffed and diminished into wrinkles, or mocked
by rouged dark bags of tears I've held in check
in case you, or any young man with a pen
or tape recorder, would break the dry
monotony of this retirement
city named for the sun, without an oak or the little ones
to carve the acorns for Halloween; the sun
my second husband willed to me
after scattering his ashes into winds
that slapped a few
white fragments back in my face. Emily
and I share a secret. We knew the same loose board, nearly
equidistant from the stove and closet
where the curators display her dress. There was a poem
folded twice; so bitter; so simple.
I put it to memory. It became-like a lapis lazuli
scarab carved by some ancient Hebrew craftsman
and welded by time to the breastbone
of a pharaoh-our poem. Breaking faith, if let it go.
However, I'll tell you this: You are young; you have
my father's mouth; his high forehead, wrinkled and glowing
satin in the night, and absolutely
no one gradually withdraws from life. Someone inside,
like a seed breaking free of the groundfallen fruit,
puts out her own
taproot like a wing, and either flies or doesn't.
We didn't. It was all a dream. Linen and gaberdine.

Structure

55 lines · 5 stanzas