The Sergeant

For my father
When others mustered out in '46, you soldiered
on, commanding a squad that buried the box
after narrow box the Army sent home from abroad.
For a year the wind off the Kasserine,
peasants mudded to their knees on Mindanao
and oceans being oceans all over the world
kept turning up dead
West Virginians.
You brought all the known soldiers home,
to Coal Fork, Seth, Clendinin,
to the smudged daguerreotypes of company shacks
that lay beyond slick rivers without bridges.
Your honor guard traveled the state that year
making heroes.
You and your men were heroes-
the War ceremonially perfect-
in hills the newsreels never reached.
Sometimes twice a day you stiffened
against the world's first standing order:
assigning remains to the last slit trenches
they would hold,
awarding the widows flags
they would bundle away under cedar
or hang on the wall of the child conceived
a month before Pearl Harbor.
*
You were occupied with death
and mother ironed
ten uniforms a week to keep you creased
and properly rigid. Starch drifted
like dry snow in parlor corners where I etched
stick figures in the dust-
my own command.
And I learned to fold the flags
into tight blue parcels of stars, to execute
the manual of arms with the snap
of a garrison corporal.
But you never said
"Death," or took me along to the hills.
Coming in to the warm laundry smells of your room,
I'd find you silently polishing brass or trying to coax
from your boots the last bright sheen the leather
remembered. And I knew I would rise the next morning
in darkness, roused by the small-bore crack
of your clothes-your limbs forcing open shined khaki-
to watch you go quietly off to your men.
*
One summer night you had the neighbors in the yard
for home-made peach ice cream and army films
projected on the flaking wall of the hen-house.
G.L's bridged the Rhine at Remagen; Jap bodies
spilled like sun-struck worms from a pill box,
their faces scaled like snakes in the old wall's
peeling paint.
And I wondered who buried them
but lay in the sweet summer grass unafraid
until the black-and-white war was done. Barrages
stopped. Helmeted winners of medals marched home.
Still the film reeled on, to Buchenwald, Dachau,
where bulldozers shoved gray bones into pits
without ritual, where the living were mute,
fluoroscopic ghosts you called D.P.'s, real stick people
crushed into huts like our mildewed sheds.
Out of your sight, in the dark, I cried
for them all, and for the man with a child
thinner than any mountain stray. His face,
framed in a single paint chip, leaned into the yard
and, with eyes like the half-blind bank mules'
at the mines, he seemed to stare at the light
from my bedroom window.
After the films
had run out, while your friends were gathering plates
or whispering good-night, I sat by your polished
brown shoes, wanting to say,
The man...,
that he held that child in his coat-hanger arms
then shoved him through the warp in the lapped boards
covering our coop. That the boy was in there
huddled in the dung and feathers, waiting.
But you never knew how he clung
to those humid walls with the hens
or how the flung door's slicing trapezoid of light
cornered him in shadow.
You were occupied with death
while every day I trooped the darkened rows of nests,
gathering the still-warm eggs with held breath.

Structure

87 lines · 16 stanzas