Leaving Arles
JAMES MARTIN
LEAVING ARLES
We pack the car to leave this purple light,
Red, red-black, and blue; the walls
And town reflect from here a coarse and grainy light.
The buildings flash and burn themselves against
The foreign sun. By five, the plaster tones
Are cold and shed the shapes of light.
We watch a random face. We talk and walk
Unhurriedly, as travellers do, and seem to know our place.
The metal of an engine rubs and life goes on in red.
Under leaves and under doors the shadows gather
Strength, as buildings blur their brick. We check the bill
Too carefully, and watch the sun recede. This town
Has bothered us. We're poorer than we seem.
Arles, a sign reflects. Arles, France.
We seek the route marked Nord.
Beyond a bridge, the noises heard are simply
Cars in stride, crimson-hooded Citroens cruising
Frankish streets. And farther off, the streets
Themselves become the forms, and then
The forms dissolve. The only sound that's coming now
Is from the burning roofs, if that is sound at all:
Light reflected into sound within
The listener's eye. And then our talk
Resumes. I learned today, from travel news,
This is a common thing: the character of light
In Arles is not from Greece or Spain.
The blacks and blues are painted glass;
The red is heated slate. I still could print
The way the walls had seemed to flame and grate.
A private edge which bore my eye incessantly,
And heat which rubbed it in. We left
The town untouched. They had their lives, and we
Accepted what they gave: the one-way streets,
The church, the views, and had to leave
The rest. The forms of lives from distances,
In place of local news. Our lives were none
Of theirs. Tourists, in the trap of travelling,
We journeyed on: Nord, north,
To longer light and louder voice,
Unpacking bags again. We left the map for good.
The trip was over in July, but we
Have not unpacked. The brown and
Purple light of Arles is still around
Our hands. And they carry more than this:
The last and sometimes secret gifts a traveller
Must declare: a grocer's list,
Some foreign coins, a magazine in French,
The pain of knowing places once, and faces without names.
Structure
50 lines · 14 stanzas