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In Sepia

Now that image in its familiarity takes care of you.
Another surprise: courage is not a requirement,
because this new expansiveness, seeming always
to be a living extension of itself, only requires
your presence; the slight pressure of your body.
But it is not all reassuring, this comfort,
for you belong to it. The world, & your small love for it,
floats like the talk of the adults, & is barely mutable:
now you will feel a nostalgia for it;
no longer will you consciously alter its events.
& friendship, & companionship, faces of young students
which after the immediate pleasures of consent
had settled into composure, always refreshing your life,
must change value now; will be less quick & lovelier.
After a long time & if you again become articulate
or can listen generously, it can be given to you
to be provident, though this is at the mercy of love
among other dependencies, & is not assured.
IN SEPIA
Often you walked at night, houselights made
nets of their lawns, your shadow
briefly over them. You had been talking about
Death, over & over. Often
you felt dishonest, though certainly some figure
moved in the dark yards, a parallel
circumstance, keeping pace. By Death, you meant
a change of character: He is
a step ahead, interlocutor, by whose whisper
the future parts like water,
allowing entrance. That was a way of facing it
& circumventing it: Death
was the person into whom you stepped. Life, then,
was a series of static events;
as: here the child, in sepia, climbs the front steps
dressed for winter. Even the snow
is brown, &, no, he will never enter that house
because each passage, as into
a new life, requires his forgetfulness. Often you
would explore these photographs,
these memories, in sepia, of another life.
Their use was tragic,
evoking a circumstance, the particular fragments
of an always shattered past.
Death was process then, a release of nostalgia
leaving you free to change.
Perhaps you were wrong; but walking at night
each house got personal. Each
had a father. He was reading a story so hopeless,
so starless, we all belonged.

Structure

49 lines · 7 stanzas