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The Unifying Principle

Ramshackles, archipelagoes, loose constellations
are less fierce, subsidiary centers, with the
attenuations of interstices, roughing the salience,
jarring the outbreak of too insistent commonalty:
a board, for example, not surrendering the rectitude
of its corners, the island of the oaks an
admonishment to pines, underfigurings (as of the Bear)
that take identity on: this motion is against
the grinding oneness of seas, hallows distinction
into the specific: but less lovely, too, for how
is the mass to be amassed, by what sanction
neighbor touch neighbor, island bear resemblance,
how are distinction's hard lines to be dissolved
(and preserved): what may all the people turn to,
the old letters, the shaped, characteristic peak
generations of minds have deflected and kept:
a particular tread that sometimes unweaves, taking
more shape on, into dance: much must be
tolerated as out of timbre, out of step, as being not
in its time or mood (the hiatus of the unconcerned)
and much room provided for the wretched to find caves
to ponder way off in: what then can lift the people
and only when they choose to rise or what can make
them want to rise, though business prevents: the
unifying principle will be a
phrase shared, an old cedar long known, general
wind-shapes in a usual sand: those objects single,
single enough to be uninterfering, multiple by
the piling on of shared sight, touch, saying:
when it's found the people live the small wraths of ease.

Structure

30 lines · 10 stanzas