The Stages of Narcissus
To the memory of Robert Shelley
Was it his face that so unsettled him?
-For it was beautiful and childly wise.
One day he watched a water-spider skim
Across the pool, and then to his surprise
He found his image on the surface and
He could not cease to wonder at the sight
Of so much grace. His very life was planned
By this unwished-for providence. He might
Go on pretending that he didn't know,
But people in their drawing-rooms would show
Him as a thing of some refinement, sought
For all his wit or common sense alone,
While in their secret cells they railed and fought
Like stray dogs yapping over a choice bone.
Take any subway to the nearest place-
He's standing like a statue in the crowd,
And schoolgirls titter when they see his face
Dejected, over-serious, soft and proud.
They edge about him in the evening rush,
Fragile as sparks struck from electric rails.
How can they know, who are in their first flush,
His ageless innocence? The current fails,
The lights go out. He hears the jangling bells
And for a moment dreams he's somewhere else:
A cage where sunlight tiger-stripes the floor,
Guiding the eyebeams of the human beast
To his bent form. The lights come on once more.
Leaving the train, he steps into the feast.
Day-long upon the baked or windy street
The passing citizens would be like flies
Engulfing him, till at his restless feet
The very pavement bristled with their eyes.
If night was kind to him it made his face,
Beneath its glow, and amber-lighted bronze,
Leaving his form enhanced by this embrace.
At evening in the park, beside the ponds,
He walked among the statues who were dumb,
Who could not hear his step or tell him from
The solid citizenry of the sculptured dead.
But from the benches of the caged park
The eyes peered out at him and made him dread
The will to live which terrorized the dark.
Had he foreseen, since that discovery-day,
The nature and the passion of his fall?
The sunlight beats the panes but will not stay.
He shuts his eyes and feels the bedroom wall
Fill up with shadow till his form is trapped
Like a fossil pressed in subterranean jaws-
Himself, his wits, his consciousness unsnapped,
Jag-toothed and throbbing. Did he know the laws
That tie a man in knots but leave him whole,
Still perfect, less than mortal, with a soul
That spends the fiery blood and suffocates
Within the dark-the mountainous dark-alone?
Breathless he had escaped his human fates
And learned in life the rectitude of stone.
Would his essential beauty shrink and rot
And sift to dust in some unhallowed place?
In bashful belles the rarest beauty-spot
Glows but a day, blood ranging in the face,
Relinquished in the end to old gravures.
Is this the vengeance of the fixed Ideal
That every beast and common whore endures?
Then let them live. Old age will make them feel
Like window-dummies stripped from limb to limb.
That night he dreamed a woman followed him,
Calling him softly by his childhood name.
He turned his face and ran away for blocks
Till out of breath he stopped and she became
A thin far echo, lost in the sounding clocks.
Why should paternal Heaven wish to keep
This image which a mirror cannot hold?
Better to lose oneself in a quartz sleep
Than bear the indignity of growing old.
And what if humans chisel at the quartz
And set it up beneath the general eye?
Why, then a more supreme indifference starts,
Locked in the stone, descended from the sky,
Ascended from the windings of the earth.
By the still pool he had his second birth,
Studying his imagery in fateful springs,
He leaned more closely, hunching his thin spine.
Kissing his face, he shivered it in rings.
And the dream passed in broken water-shine.
Where does the form go after banishment?
In time the corpse becomes a pile of bones,
But as the flesh declines the form is sent
Into the pool which dissipates the tones,
Then through the underworld it starts to wind,
Dragging the frail Narcissus in its tow,
Tumbling from cave to cave until men find
That all the earth is flowered by its flow.
Woman, beside what fountain do you dare
To pick his flower and flaunt it in your hair?
Here lies the virgin boy-bound in his bed
With no fair love, no marriageable heart.
By day the world pursued him and he fled
To its dark night, where the pure waters start.
Structure
99 lines · 11 stanzas