Last Winter
Perry for December 1950
VOL. LXXVIT NO. Il
mr)
DD LL dd dd dd dd dd
eee Tee
LAST WINTER
i]
H e said (last winter),
these people have the advantage over us,
and I was sorry, God knows I was sorry enough;
the burnt-red of Texas or the sun-burnt bronze
of his Arizona desert
had not had time to wear off,
and the rest of them stood in the rain,
a neat line waiting,
not saying anything,
but he barked from a young angry throat,
these people have the advantage:
so we did, so we had,
we shuffled along in the rain,
a dingy crowd
with fish-baskets, old rain-coats,
funny umbrellas, a motley host,
dim, undistinguished, water-rats
in the water,
land-rats in the gutter.
i
These people have the advantage over us,
did he speak for himself or for
the rest of the bronze giants?
I wanted to stop, slithered along,
web-footed, trying to work out in that moment,
whether it were better to stop, to speak,
but I was embarrassed by the neat row of them,
drawn up on the pavement,
and what would I say anyway?
I wanted to say I was sorry,
actually thinking of them,
not of us.
ui
I wanted to say I was sorry,
but why should I? but anyway,
I did want to say I was sorry,
but how could I? who was I?
I wanted to say, yes, we're used to it,
we have the advantage,
youre new to it;
we've slithered so long in the rain,
prowled like cats in the dark,
like owls in the black-out,
look at us - aenemic, good-natured,
for a rat in the gutter's a rat in the gutter,
consider our fellowship,
look at each one of us,
we've grown alike, slithering,
slipping along with fish-baskets,
grey faces, fish-faces, frog gait,
we slop, we hop,
we're off to the bread-queue,
the meat-shop, the grocery,
an egg? really madam - maybe to-morrow -
one here - one there - another one over there
is heroic (who'd know it?)
heroic? no bronze face -
no no no
what am I saying?
Iv
It was Goldie, that was her vulgar name,
(one of these was her mother);
better move over,
the fire-man said, miss,
getting a bit hot, miss,
(look out
look out
wall!)
better run your little bus
around the other side,
cigarette miss?
he offered her a cigarette
because... he thought ... for a minute...
he might push her out of it...
it's no use Frank, that's Goldie -
what of it? she's a kid,
she's too young - Shut up,
all the kids are in it.
Goldie wouldn't move away,
she was told to stay.
Vv
Goldie was one of us,
we are one with Goldie;
Arizona desert,
Texas and Arkansas,
how could you know,
you did not see
what we saw:
Goldie was only one,
Goldie's all around us,
gutter-rats,
land-rats,
look at us,
slop flop,
stop hop,
past Arkansas, Kansas
drawn up on the pavement:
no one will tell you;
only I, one of you,
one of them,
know the rune,
only I can play the tune,
make the song,
tell the story
of Goldie:
Goldie made the words come true,
the sun never sets on
anaemic faces in the line
waiting in the bread queue.
vi
The reason is:
rats leave the sinking ship
but we
we
didn't leave,
so the ship
didn't sink,
and that's madness,
Lear's song,
that's Touchstone's forest-jest,
that's Swan of Avon logic:
the ship didn't sink
because
the rats knew
the timber true:
the ship-rats hop flop
along the pavement-deck a-wash,
O Kansas, O Arkansas,
Goldie wouldn't move away,
Goldie was told to stay.
HD
vu
Frog faces,
frog lust,
frog bellies
in the dust,
till unexpected flame
gave you another name:
(there's the siren wail again,
May 15;
by the clock,
near 6,
that's 4
by the sun):
frog faces,
frog lust,
frog bellies
in the dust
of the Last Judgment Day:
when winter-fog is gone,
the frogs sit in the sun,
and now you can see
strawberry-leaves
on a crown,
a lion,
a unicorn:
now you can clearly see
what frogs in the sun
become:
salamanders in the flame,
heraldic wings surround the name
English from Englisc from
Engle, Angle
from the Angles who settled
in Briton.
vill
Now you can clearly see
why I sing this mystery
of Goldie, Angel in the sun,
of Goldie up with the fire-alarm,
now this stocking,
now the other shoe on,
of Goldie who ran and chaffed
the telephone-girl because she laughed
at Goldie lazy
but up with the gong:
sea-nymphs hourly ring his knell
(hers, rather - Goldie's - )
ding dong bell.
H. 0.
ix
Goldilocks, Goldilocks, let down your hair
for we have never seen anywhere
a thread so delicate, spun so fair:
Goldie in a tissue-paper frock
hunts for strawberries in the snow,
or was that another? anyhow
Goldie or Gretel in woolen socks
scatters bread-crumbs to show the way
through the dark forest, or did you say
a Saint with Halo beside a wheel
is set on an altar where people kneel,
to take their bread from a priest, instead
of Gretel who changed her crumbs
for pebbles? the pebbles lay like little shells
under green-boughs that swayed like water,
while over and through it swam sea-girls;
the youngest princess begged feet for fins,
Goldie, Gretel or Saint Catherine?
x
You may say this is no poem
but I
will remember this hour
till I die:
the clock from the old bell-tower
says two
but the sun climbing the sky-clock
points noon,
exactly noon; May 16
says the calendar,
and the steps of William's orangery
at Kensington
become the Venetian doge's water-stair:
exact perfection,
Iam 56,
the may-trees blossom:
the wall-door under the chestnut-tree
that I nor anyone else ever saw open,
opens and lets out a carpenter:
he has his chisel,
I have my pencil:
he mends the broken window-frame of the orangery,
I mend a break in time.
Structure
230 lines · 57 stanzas