The Map of the Age

The antique tapestry depicts
The termination of two pacts,
Written down as desperate laws
For the soul's most natural lures,
One of death and one of love,
Signed with x's in the grove.
Triumphs mark the termination
Of the act in each rotation:
Love, considered one completion,
Death, of rather more duration,
Ride in chariots, each by each,
Through the thread's triumphal arch.
Love sits proudly in the lead,
That destroys us with the load
Of the heart unreconciled
To emotion beat and soiled
By faith unreciprocate
Wearing virtue's tattered coat.
This true conqueror of the man
Is aloof from any moan
That should reach him in his seat
From the multitudes that wait
At the turning of the wheels
For the turning that impales.
And behind him clacking death
Grins upon the folk beneath,
Chiding them because of lateness,
Promising the end is lightness,
And the grave Pandora's box
Opening on starry banks.
By this bony victor's car,
At the finish of his war
Go the pagan, priest and gull,
With the pander and his trull,
Followed to the body's goal
By the potentate and fool.
The philosopher may sulk,
Seeing these upon the silk,
Running moveless on the wall;
And draw tighter still the wool
Binding up his parchéd chest
From the world's Utopian dust.
For the cunning artisan
Working in the ancient sun,
Fashioned every face the same,
Save an innocence in some,
And in others blind deceit
Eager for its second sight.
Love, then, covets death's anointed,
Death desires passion's sainted ;
And, to satisfy the two,
Souls are rent and forced to go
Part beside each separate car,
Captives in the abstract war.
Still, wise nature will not let
Such dissection be our lot;
The soul, beyond the tapestry,
Is made again an entity
By death, who can best do with it
When cruel love is through with it.

Structure

60 lines · 12 stanzas