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A Maiden

When I found your face on a pillow of leaves

you had already erased it. A nest so heavy

can stay in the heavens only by reversal.

By this law the knees are laced with abandon.

I said to the young man.

If watching is the manufacturer, and I lose you

what angel takes the place of a dowry

or distance in this leaf action?

Subject to like passions as we are

my soul herself, myself

a possession I could not

mistake for the man

(his language and Latin)

yet we are “taken to”

a love passage

I had hardly noticed

in the late talk of money

The work of love and the work of art

has no sleeping part

Is a drop of light

in a small silver socket,

a rosy dime

in a daylight tryst

Is a keeper and no spender

As seeing who is invisible:

a kind of flaxen thing

caught in stone

I obeyed and read further

“I am hemmed”

Though my heart were a pear tree

threaded with fire

Lion you leapt through me

like fineness in the boundary gene

Conductor you knit me

as isthmus     Can I touch it

Night is going 200 miles an hr

as usual     In this way we find

we are suddenly altered

If I were a day would you

like me better     Where were you

you who in a bath changed me

How to be walking

is a glorious porthole

Must I insist on an absence

more foolish and secret

When your timber’s a forest

I can’t see for the tree in my bed

Gentle captive, it is

a larger than murder

we tender     Fond and afire

my style and my anchor

Master there’s a boat for no

lesser completion than

beauty’s sweetest dress

when you look on me kind

Who am I to stop this flowing

Least of all that home mile

Sinking in the real

I dreamed there was a further island

Perhaps (how I thought you)

to salt that harness with pleasure

Lovely hero where the lovely hero bounds

an acre hidden between eros and its errors

Finding a dozen darts beneath the skin of

Watching the wire of a skinny flame

No other lovely hero found the back

behind her secret form of symmetry

Her gleaming difference

Her schoolish way in pretty understandings

Said   Not done   Not said   Undone

Wealthy sadness has a way of winning everyone

This is the end of my body as you know it

its superfluous penchant for love

its poorer costume, its shiny disaster

What is a maiden,

                         boatswain,

but a fiery lair

and a teary citadel

By the smallest shipwreck

a daughter is laughter

Yet equaled

                         as in a fable

this Gibraltar goes headlong

in a just king’s love

See how his hands

are her mercy

and measure

her number and rescue

O Perseus

    Pythagoras

    Pierre

my Pierre

What rules a body’s buried factions

when laundered by morning

When called by our names

although we are invisible

Sleeping I forget my animal

When the animal comes

I’m forgotten because of it

How was it called

in its own country

crossing a street

in order to come inside

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we went into a market—they call it a grocery—and you can’t imagine. fruit brilliant as magazine photos. all kinds of different oranges, grapefruits, mandarins, some tiny clementines with a blue sticker—Morocco—they’ve come so far...the eggs are painted with colors corresponding to the days of the week you’re supposed to eat them: a different color for each opportunity. i felt dizzy, the gulf between myself and this place seemed insuperable. tears welled up in my eyes, i wanted desperately to flee, to get outside so i could breathe. i wanted to explain to Phillis, the North American who had invited me, what was happening to me. i tried, but she couldn’t understand: you have to have felt it yourself: the first time. for the first time my mind had crossed over five hundred years of development at jet speed and arrived in the future, a cold future, its display cases filled with artificial snow and artificial heat. there were a thousand things i never knew existed, a panoply of brand names and gadgets for every purpose. i felt like someone from the stone age, and realized most people on the planet never know the era they’re living in, any more than they could know the quantity of living matter in this galaxy that surrounds us, or the milky complexity of the molecules in their own brains, and what’s more they don’t know that they’ll die without ever knowing. i felt terror of that gloss, of the waxed fruit, of propaganda so refined it could dilute the existence of the strange things before my eyes, other sensations: everything wanting to be used up, immediately, licked, tasted, eaten, packaged, mastered. i knew i couldn’t stand this avalanche, this brilliant swarm, for long, these rows on rows of distant faces staring out at me from cardboard boxes. i’d seen nothing singular in the place, no unique thing i could separate out from the amorphous mass of texture and sensation. i began to move closer, imagining i walked with those who have never eaten meat or tasted cow’s milk, who have never nursed except from the teat of a goat. those who have had only wildflowers to chew when the winter hunger comes. i approached closer still, imagining i walked with the salty ones, who collect their water from the public pipe. my nose began to bleed and Phillis said it was the cold; i knew that wasn’t the problem. we were near the seafood display, i moved closer. fish have always aroused in me both horror and desire. i moved closer, like a lost child feeling her way through space toward something of hers that’s hidden. i brushed the shells with my fingertips, they were smooth and delicate, but obviously artificial, made to be used once and thrown away. at first touch they might seem real, pearly, perfect, but they’re actually plastic, and they’ve never even seen any sea. …

Reina María Rodríguez

The glossary

The language about poetry

From aubade to zuihitsu, 207 definitions of the forms, figures, and schools that shape the line.

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