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Drill

When the fire bell rang its two short, one long

electric signal, the boys closest to the wall

of windows had to raise the blinds and close

the sashes, and then join the last of our line

as it snaked out the classroom onto the field

of asphalt where we stood, grade-by-grade,

until the principal appeared with her gold Timex.

We learned early that catastrophe must always

be attended in silence, that death prefers us

orderly and ordered, and that rules will save us

from the chaos of our fear, so that even

if we die, we die together, which was the calm

almost consoling thought I had each time

the yellow C.D. siren wailed and we would tuck

ourselves beneath our sturdy desktops.

Eyes averted from the windows,

we’d wait for the drill to pass or until

the nun’s rosary no longer clicked and we could hear

her struggling to free herself from the leg-well

of her desk, and then her call for us to rise

and, like herself, brush off the dust gathered

on our clothes. And then the lessons resumed.

No thought of how easily we interred ourselves,

though at home each would dream the mushroom cloud,

the white cap of apocalypse whose funnel stem

sucked glass from windows, air from lungs,

and made all these rehearsals the sad and hollow

gestures that they were, for we knew it in our bones

that we would die, curled in a last defense—

head on knees, arms locked around legs—

the way I’ve seen it since in nursing homes

and hospices: forms bedsheets can’t hide,

as if in death the body takes on the soul’s

compact shape, acrobatic, posed to tumble free

of the desktop or bed and join the expanse

and wide scatter of debris.

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