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The Dance in Jinotega
In Jinotega women greeted us with thousands of flowers roses it was hard to tell the petals on our faces and arms falling then embraces and the Spanish language which is a little like a descent of petals pink and orange Suddenly out of the hallway our gathering place AMNLAE the Asociación de Mujeres women came running seat yourselves dear guests from the north we announce a play a dance a play the women their faces mountain river Indian European Spanish dark-haired women dance in gray-green fatigues they dance the Contra who circles the village waiting for the young teacher the health worker (these are the strategies) the farmer in the high village walks out into the morning toward the front which is a circle of terror they dance the work of women and men they dance the plowing of the fields they kneel to the harrowing with the machetes they dance the sowing of seed (which is always a dance) and the ripening of corn the flowers of grain they dance the harvest they raise their machetes for the harvest the machetes are high but no! out of the hallway in green and gray come those who dance the stealth of the Contra cruelly they dance the ambush the slaughter of the farmer they are the death dancers who found the schoolteacher they caught the boy who dancing brought seeds in his hat all the way from Matagalpa they dance the death of the mother the father the rape of the daughter they dance the child murdered the seeds spilled and trampled they dance sorrow sorrow they dance the search for the Contra and the defeat they dance a comic dance they make a joke of the puppetry of the Contra of Uncle Sam who is the handler of puppets they dance rage and revenge they place the dead child (the real sleeping baby) on two chairs which is the bier for the little actor they dance prayer bereavement sorrow they mourn Is there applause for such theater? Silence then come let us dance together now you know the usual dance of couples Spanish or North American let us dance in twos and threes let us make little circles let us dance as though at a festival or in peace- time together and alone whirling stamping our feet bowing to one another the children gather petals from the floor to throw at our knees we dance the children too banging into us into each other and one small boy dances alone pulling at our skirts wait he screams stop! he tugs at the strap of our camera Stop! stop dancing I’m Carlos take a picture of me No! Now! Right now! because soon Look! See Pepe! even tomorrow I could be dead like him the music catches its breath the music jumping in the guitar and phonograph holds still and waits no no we say Carlos not you we put our fingers on his little shoulder we touch his hair but one of us is afraid for god’s sake take his picture so we lift him up we photo- graph him we pass him from one to another we photograph him again and again with each of us crying or laughing with him in our arms we dance