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Lines for a Prologue

These alternate nights and days, these seasons

Somehow fail to convince me. It seems

I have the sense of infinity!

(In your dreams, O crew of Columbus,

O listeners over the sea

For the surf that breaks upon Nothing—)

Once I was waked by the nightingales in the garden.

I thought, What time is it? I thought,

Time—Is it Time still?—Now is it Time?

(Tell me your dreams, O sailors:

Tell me, in sleep did you climb

The tall masts, and before you—)

At night the stillness of old trees

Is a leaning over and the inertness

Of hills is a kind of waiting.

(In sleep, in a dream, did you see

The world’s end? Did the water

Break—and no shore—Did you see?)

Strange faces come through the streets to me

Like messengers: and I have been warned

By the moving slowly of hands at a window.

Oh, I have the sense of infinity—

But the world, sailors, is round.

They say there is no end to it.

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I’ve been sad and can’t find a seasonal sequence. I go forward then my order reverses and it’s winter again two years ago, with that sticky ice that lost your footing as you gripped that container of Greek yogurt you brought to the doctor’s, even when you couldn’t speak; you only darted your eyes with a fear that continually registered in your pupil size. You clutched your sets of things. I am full of what are sets of things I know well then I go backwards and I don’t have any sets of things. I see your pink-stained washcloth from your wool coat. Your cerebellum tumor is inside with your other tumors but I don’t know it’s there yet neither do you. It appeared and controlled your brain and the things you couldn’t hold. I wonder what things really are, if they are just a set of symbols we sequence and then find purposeful. I wonder if they are like rituals that we learn for our brain. We have those for our body and those for our brain. I look at you — you are alive — and you breathe labored breaths then you died. There, in the hospital bed, when I let time lapse not knowing how to hold you. I let you die for seven days. Your daughter, bigger than I am, could hold you. She could use her muscles to grip you, but I couldn’t hold you, even though you lost forty pounds your last month. I couldn’t find the sequence because I reversed everything into its pain cycle and you didn’t want me to watch you die but I couldn’t understand how everyone could let it happen and I could too, but only if I could let it fall into its hole, its awkward sequence, around death; it’s not awkward it’s just not right. I could make as many intuitive decisions, and many logical sequences occurred around your treatments, but I didn’t know you were stepping out of sequence, and treatments are not producing remedies, and I left myself at the side of the hospital bed. You were in another light, exiting slowly. I thought the sequence of grieving would banish all the anxiety but it came back this year. I became debilitated. I have a debilitating anxiety that I thought was gone. …

Prageeta Sharma

What time are the big people …

César Vallejo

for JA …

Emily Skillings

even the rocks are dying. now that we’re here …

marion eames white

The mouse hangs by its tail, & kitchen chairs stand still on their beaks. I left the eggs boiling on the stove, the iron hot. Everything is going up in flames. I don’t mind. I watch the children float like leaves while the plastic car sinks to the bottom of the tub. A steady beat within my diaphragm predicts the next earthquake, records its rhythm in blood vessels until the walls collapse. I was once a boiled egg before I was this: chewed cuticles & orchids, ponytails & rapes. Somewhere in Texas, a crowd predicts my death. They say it will sound like the scream of a tuba being born. …

Iliana Rocha

Bottles on the closet floor, …

David Wojahn

What do you do if you meet a witch? …

Alan Dugan

The thundering hammer of the ape …

Donald F. Drummond

The glossary

The language about poetry

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