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WHAT SHE LOOKED OUT UPON

What she looked out upon
through the small grille
of the kitchen window
was the exhausted clothesline

strung across the yard,
its soft and sagging middle
a hammocked emptiness
that crossed her eyes' rest

as a thin shadow
of the depression
she looked in upon,
thinking of what was to come:

the winding down,
the thinning -
of bone, of hair, of skin,
of patience even.

Hoping enough would be left
to finish with some grace
what had begun without thinking.
Thinking how the days rolled out

in laundry and bad news. How the pole
that held the clothesline
held the wires
that pulled the clanging world in.

Most of the time not listening
unless something
caught her attention
the way the moth


between the window and the screen
now did,
wings flailing
against the vague web.

She could see the spider too,
shroud maker, paying out thread;
little god, moving gingerly along
the avenues of its invention.

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All alone, you use kitchen …

francine j. harris

The dry stubble of the field …

Alice Pettway

Powder rises …

Tina Chang

I’m thankful that my life doth not deceive …

Henry David Thoreau

NO matter where the Saints abide, …

Emily Dickinson

small war on the heels of small / war …

John Koethe

Someone wheeled me to the curb. A different friend helped me into a car. We got to the condo and managed to get me down the stairs, into the living room, where I fell asleep on a mattress we put on the floor. I slept, I peed myself, I fell off the mattress, I fell out of chairs talking wildly. I scared them, whoever they were, the people I was supposed to know. I knew who James was, he was on the phone. He was in California. You can’t stay there. You have to go to the hospital. You can go to a different hospital. I changed my clothes. It was like dressing a mannequin. Getting into the car, I fell on the emergency brake and broke my glasses. In the emergency room, at the second hospital, the woman at the desk said Oh no, you’ve had a stroke, and they wheeled me in. The doctor was handsome and it embarrassed me. For a while, I was talking to a brightness in the corner of the room. When they tried to give me a Heparin shot I threw a bedpan. I kept asking for someone, over and over—the friend who took me to the first hospital. I said black tree when I meant night. I said The branches blow and we sleep in dirt. I said Telephone. Safe harbor. Perhaps you are, perhaps you are diamonds. …

Richard Siken

My damn cat brings me a dead songbird, …

Rebecca Seiferle

The glossary

The language about poetry

From aubade to zuihitsu, 207 definitions of the forms, figures, and schools that shape the line.

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