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New Magazines
Early in Poerry's career we began to collect first num- bers of magazines-every Vol. I, No. I which has brought its flutter of hope into the office has been carefully pre- served. Odd little brochures many of them are; occa- sionally the first number is also the last, but usually the flutter persists through a few issues before it folds its wings. And a few of these first numbers bear titles now well known-The New Republic, The Chapbook, The Little Review, The Liberator, The Measure, The Dial. This autumn our collection has been enriched by first numbers of The Milwaukee Arts Monthly, Modern Review, and Caprice; and a new one, Rhythmus, will soon appear. The Milwaukee Arts Monthly, which began in Sep- tember, is a welcome and most promising messenger from our neighbor to the north. Every large city ought to publish and liberally support at least one magazine of the arts, as well as an arts theatre (Milwaukee has a fine one, The Wisconsin Players), a musical. society, etc. The first two numbers show a progressive spirit in the editor, Samuel Pessin, and his associates and contributors. Many of the contributors we recognize-Ben Hecht, Carl Sandburg, Laura Sherry, Elizabeth Roberts, Yvor Winters, for example-and others are new tous. Certain drawings by Eric Smith, Morris Topchevsky, Ilonka Karasz and George Grosz look like real finds. The paper Mark Turbyfill will be its Chicago editor. Caprice, whose sub-title is 4 Poetry-art Magazine, comes from Los Angeles, apparently a somewhat more radical rival of The Lyric West. "A magazine of the younger poets," the editor, David N. Grokowsky, calls it, and he presents a few new ones among names more familiar. The associate editor, Nahum Yarvor, predicts that "Chicago will be the literary capital." Meantime John Drury represents the magazine in Chicago, and Rex Hunter in New York. Modern Review advertises that it "will print nothing clever or radical," yet we find Bodenheim and Carnevali among the contributors to its first, its Autumn Number. Shades of the conservatives!-is Saul also among the prophets? This quarterly contains poems, stories, a study of ultra-modern poetry by the associate editor, Virgil Geddes, one of Papini by Emanuel Carnevali, and a Chicago letter by Sam Putnam. Fiswoode Tarleton is the editor, and Winchester, Mass., the place. Rhythmus is to be published in New York and devoted to poetry; under the editorship of Gustav Davidson, who some years ago ran that delicately printed venture, The Madrigal, and our old friend Oscar Williams, late Lola Ridge's assistant in the New York office of Broom. To all these new magazines we offer the glad hand of good fellowship, and our best wishes for a long and inspirational career.